Wednesday, August 29, 2012

Cool cover...

Cool cover...hope the band matches it...

The lady stands alone

The lady stands alone in the wind

Once a goddess supreme overall.

Now lost in the shadow of her sons.

Her small lamp dwindling in the mist.

The fullness of their arrogance!

Her call to the lost children,

lost in their self-regard.

Honor your mother, that is the way.

God's commandment to warring sons.

But who hears the old words,

buried in empty caskets!

The cries of fools!

 

Saturday, August 18, 2012

Indie writers on the rise....

"Publishing Is Broken, We're Drowning In Indie Books - And That's A Good Thing"

Or so claims Forbes magazine...

 

Read the article here.

Wednesday, July 11, 2012

Review of THE MISPLACED LEGION

The Misplaced Legion (The Videssos Cycle, #1)The Misplaced Legion by Harry Turtledove
My rating: 5 of 5 stars

Before Harry Turtledove became obsessed with writing - and rewriting- alternative versions of the Second World War, he was a notable scholar of Byzantine history, which led him to write the Videssos series, and entertaining saga that turns away from the usual Northern Europeans-folklore influences of Tolkien and company towards a world based very closely on the Byzantine Empire. In fact, aside from the presence of magic and a few cosmetic changes, it could very much stand in for a straight-forward alternative history in which Constantinople never feel to the Turks. Which is in fact the subject of another book he wrote...but one thing at a time.

The premise behind the series goes like this: a Roman legion led by the tribune Marcus Aemilius Scaurus, fighting during Caesar's conquest of Gaul, gets transported to an alternative world due to a mishap with a pair of swords enchanted by a powerful druid (coming along for the ride is a Gallic chieftain who was fighting on the other side...) Unable to return home, they hire on as mercenaries to the Byzantium-like Empire of Videssos. The idea of a Roman legion hiring on to serve a fantasy version of the Empire that would ultimately succeed their Empire might seem a bit ludicrous, but Turtledove makes it work with strong characters and a detailed and highly realistic setting.

Religion plays a strong role here, and in this Turtledove;s historical background shows itself strongly. The primary religion is a thinly disguised version of medieval Orthodox Christianity, which like the real-world version is beset by various heresies and schisms. The primary villain is Avshar, a former Videssian priest who switches to the worship of Skotos, the Videssian version of the Devil. A generation before the Roman legions arrival, he facilitated the conquest of a neighboring Empire, leading a nomadic horde from the steppe to overthrow the previous rulers, mirroring in many respects the Mongol conquest of Persia. The series slowly builds up over the course of several books, depicting both the external battles and internal intrigues that best the real-world Byzantine Empire, leading to the expected confrontation between light and dark.

The premise is somewhat outlandish, but the series is solid, a real and pleasant alternative to the the usual elf-and-orc style of fantasy. A good read all around.

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Saturday, May 26, 2012

Saturday, May 5, 2012

Review of THE WAR GODS MEN

The War God's MenThe War God's Men by David Ross Erickson
My rating: 4 of 5 stars

Even though I'm into fantasy, historical fiction has always been a huge influence, in part because there is quite an overlap in many of the ways that matter. Both tell stories that take place in worlds which do not exist, the main difference being that with historical fiction it's a world that was was in the past, while fantasy is set in a world that never was and never could be.

With that in mind, THE WAR GODS MEN is a solid entry that should appeal to readers looking for a fast paced tale of war, betrayal and bloodshed that will satisfy fans of both Robert E. Howard and Bernard Cornwell, and should prove especially appealing to those with an interest in stories set in the glory that was Ancient Rome. Most Roman historical tales focus either on the era of Julius Caesar and the Fall of the Republic, or on the final Collapse of the Empire four centuries afterward. David Ross Erickson's story instead places it;s focus on an era usually ignored by readers and writers – the First Punic War.

When most people think of Rome's struggle with Carthage, they think of Hannibal and his elephants crossing the alps and the titanic Roman defeat at Cannae. THE WAR GODS MEN is set a generation earlier, when Carthage was the dominant power in the Mediterranean and Rome merely an Italian upstart with no navy to speak it. Several narrative threads are woven together, the main one being that of Juba, a Numidian cavalryman in service to the Carthaginian army led by Hannibal Gisgo (a different man with the same name.) The action begins at the city of Acragas in Sicily, where a Roman army is besieging the Carthaginian garrison. After seeing one of his men crucified at the city gate by Hannibal Gisgo, Juba swears vengeance, embarking on a long strange journey that see's him fighting on no less than three separate sides. Meanwhile, the Roman Consul Scipio has recovered an abandoned Carthaginian warship, which the Romans use as a template to construct their own war fleet. Having little experience with fighting at sea, they enlist the help of the ancient genius Archimedes to design a new weapon that will even the odds with their enemies in naval battle.

Erickson is a talented writer, and the story flows well. The level of historical detail is quite high and the characters well rounded, giving the impression that they were actually living in their period. That said, I do wish the author had explained more – the reader is dropped right into the story, and immediately surrounded by numerous characters and historical facts without much in the way of context. More than once I found myself asking “who are these people?” and logging onto Wikipedia to find out. Also, the narrative is a bit off-putting. The plot basically follows the fortunes of Juba, Hannibal Gisgo and Scipio over the course of several years without weaving them into some sort of larger plot, more like a documentary about ancient warriors than a traditional story. The book ends every abruptly with a “the battle shall continue” set-up and no sense of resolution for two of the main characters, suggesting this is merely the first part of a larger series.

Still, the good parts of the story balance out the bad. The characters were compelling, and Erickson's level of historical knowledge, and the sheer joy he takes in exploring this ancient conflict, comes through with every word. A good read, all things considered.

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